London-born artist Andy Burgess, currently residing in Tucson, Arizona, is known for his renditions of modernist and mid-century architecture, panoramic cityscape paintings, and elaborate mosaic-like collages made from collected vintage papers and ephemera. Lauded by Annabel Samspon, Deputy Editor of Tatler as “the next David Hockney”, Burgess continually expands his artistic vocabulary by mastering various media, most recently immersing himself in photography and printmaking.
Despite the huge impact of early modern architecture, the innovative and subtle minimalist buildings that I am researching, with their concrete and steel frames, flat roofs and glass walls, never became the dominant mode of twentieth century building. We have continued to build the vast majority of houses in a traditional and conservative idiom, so that these great examples of modern architecture, designed by the likes of Gropius, Loos and Breuer to name but a few, are still shocking and surprising today in their boldness and modernity, almost a hundred years after they were built.
By rediscovering and reinventing these architectural gems and bringing them to life again with the brush, Burgess is breathing fresh life into this critical area of modernism and deepening his own exploration of the meeting points between representation and abstraction.
Alongside the large-scale paintings Burgess creates collages which reflect his love of vintage graphics, particularly those from the 1930s -50s, a “golden age” in American graphic design and advertising. Burgess has been collecting vintage American ephemera for many years; this ephemera is then unapologetically deconstructed, cut up into tiny pieces and reconstructed into visual and verbal poems, dazzling multi-colored pop art pieces, and constructed cityscapes.
In January 2012, Burgess had his first museum exhibit Paper City at The University of Arizona Museum of Art. In 2014, Burgess had his first solo New York exhibition at Site 109. In 2016, he was invited to collaborate with master printmakers at Tandem Press in Madison, Wisconsin to develop a body of work in various printmaking media. Burgess had a pivotal year in 2018 with a solo exhibit, Mid-century Perspectives, at the Tucson Museum of Art, and also the publication of his first monograph Modernist House Paintings: Andy Burgess by Nazraeli Press.
© 2025. All content on this blog is protected by international copyright laws All images are copyrighted © by Andy Burgess or assignee. Apart from fair dealing for the purpose of private study, research, criticism or review as permitted under the Copyright Act, the use of any image from this site is prohibited unless prior written permission is obtained. All images used for illustrative purposes only
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| Andy Burgess |
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| Falling Water, 2012 |
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| Le Corbusier, 2013 |
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| Wexler Noir, 2015 |
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| Kaufman House, 2015 |
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| Hong Kong Abstraction, 2016 |
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| Box House, 2017 |
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| Brooklyn Bridge, 2017 |
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| Butterfly House II, 2017 |
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| Palm Springs House II, 2017 |
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| Wexler Noir, 2017 |
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| Bank of America on Broadway, 2018 |
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| Blue Retreat, 2018 |
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| California living, 2018 |
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| Color House IV, 2018 |
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| Deco on Broadway, 2018 |
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| Hirsch's Shoes, 2018 |
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| Hotel Westerner, 2018 |
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| Rietveld Schroder at Night, 2018 |
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| Welcome Diner, Tucson, 2018 |
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| Wexler House with Zig Zag Roof III, 2018 |
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| Ridgeline House, Pasadena, 2019 |
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The Green Pool, 2019
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| Coronet Motel, 2019 |
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| Greek Modern, 2019 |
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| Wexler Family Home, 2019 |
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| Wexler Family Home, Blue Walls, 2019 |
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| Kaufmann House, 2022 |
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| Villa Taddei, 2022 |
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| Diamond City, 2023 |
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| Guggenheim Abstract |
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| Ronette Riley |
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| South Bank |
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